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New England Guild of Book Workers

New England Chapter - 40th Anniversary Exhibition
  • Introduction
  • Gallery
  • Juror's Remarks
  • Events
  • Interviews
  • Contact
Featured
Eric Alstrom
Jeffrey Altepeter
Richard Baker
Barbara B. Blumenthal
Valerie Carrigan
Katrina Carye
Sam Ellenport
Mark Esser
Erin Fletcher
Jane Bortnick Griffith
Penelope Hall
Karen Hanmer
Nancy Leavitt
Yi Bin Liang
Elaine Nishizu
Graham Patten & Sarah Smith
Todd Pattison
Jennifer Pellecchia
James Reid-Cunningham
George Sargent
Patricia Sargent
Jackie Scott
Julie B. Stackpole
Colin Urbina
Gerritt VanDerwerker
Robert Walp
Joelle Webber
Stephanie Wolff
Pamela Wood
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Sam Ellenport

September 24, 2020
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Belmont, Massachusetts
Member for 47 years

Shakespeare's Poems
Navy blue morocco, gold leaf tooling and die-stamping.
31.8 x 19.7 x 2.5 cm
Completed in 2014

Can you speak about one technique you used and its history in the field of book work?
I have always tried to introduce a new angle into very traditional and often simple decorating patterns, mostly in gold. I started using rondels, made from rotating a single line pallet around a central point, on several bindings - simple and eye appealing. In this instance I wanted a central front cover design. Instead of rotating a single line pallet I began experimenting with a capital letter. Rotating the "S" proved effective. Introducing one element of the rotating "S' with a heavier line gave a subtlety to the design.

Sam Ellenport left a teaching career to become a bookbinder in 1971. He was mentored at The Harcourt Bindery. His enthusiasm for the craft has never waned, and he has taken delight in the friendships made over the years.

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