• Introduction
  • Gallery
  • Juror's Remarks
  • Events
  • Interviews
  • Contact
  • Menu

New England Guild of Book Workers

New England Chapter - 40th Anniversary Exhibition
  • Introduction
  • Gallery
  • Juror's Remarks
  • Events
  • Interviews
  • Contact
Featured
Eric Alstrom
Eric Alstrom
Read more →
Jeffrey Altepeter
Jeffrey Altepeter
Read more →
Richard Baker
Richard Baker
Read more →
Barbara B. Blumenthal
Barbara B. Blumenthal
Read more →
Valerie Carrigan
Valerie Carrigan
Read more →
Katrina Carye
Katrina Carye
Read more →
Sam Ellenport
Sam Ellenport
Read more →
Mark Esser
Mark Esser
Read more →
Erin Fletcher
Erin Fletcher
Read more →
Jane Bortnick Griffith
Jane Bortnick Griffith
Read more →
Penelope Hall
Penelope Hall
Read more →
Karen Hanmer
Karen Hanmer
Read more →
Nancy Leavitt
Nancy Leavitt
Read more →
Yi Bin Liang
Yi Bin Liang
Read more →
Elaine Nishizu
Elaine Nishizu
Read more →
Graham Patten & Sarah Smith
Graham Patten & Sarah Smith
Read more →
Todd Pattison
Todd Pattison
Read more →
Jennifer Pellecchia
Jennifer Pellecchia
Read more →
James Reid-Cunningham
James Reid-Cunningham
Read more →
George Sargent
George Sargent
Read more →
Patricia Sargent
Patricia Sargent
Read more →
Jackie Scott
Jackie Scott
Read more →
Julie B. Stackpole
Julie B. Stackpole
Read more →
Colin Urbina
Colin Urbina
Read more →
Gerritt VanDerwerker
Gerritt VanDerwerker
Read more →
Robert Walp
Robert Walp
Read more →
Joelle Webber
Joelle Webber
Read more →
Stephanie Wolff
Stephanie Wolff
Read more →
Pamela Wood
Pamela Wood
Read more →
VanDerwerker1.jpg

Gerritt VanDerwerker

August 05, 2020

Waldoboro, Maine
Member for 23 years

Walp3.jpg

Roots to the Earth, Poems by Wendell Berry, Wood Engravings by Wesley Bates
Undyed tanned goatskin with recessed onlays of dark green and dark brown goatskin, sewn silk endbands in yellow ocher and red ocher, hand marbled endpapers by Karli Frigge, linen thread, and braided linen tapes. 
25.9 x 23.9 x 2.2 cm
Completed in 2019

Did you fully plan every aspect of this piece before starting to work on it, or did you make design decisions along the way?
Last year I was in the middle of working on a series of collages using casein pigments on printed papers on panels and wanted to incorporate this same approach in this bookbinding, but since this was a design problem that uses positive-negative space, not an artwork per se, I had to plan everything beforehand instead of working intuitively.

Though trained as a research biologist, Gerritt VanDerwerker has been a visual artist since 1977 and a hand bookbinder since 1994.

VanDerwerker5.jpg
Prev / Next