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New England Guild of Book Workers

New England Chapter - 40th Anniversary Exhibition
  • Introduction
  • Gallery
  • Juror's Remarks
  • Events
  • Interviews
  • Contact
Featured
Eric Alstrom
Jeffrey Altepeter
Richard Baker
Barbara B. Blumenthal
Valerie Carrigan
Katrina Carye
Sam Ellenport
Mark Esser
Erin Fletcher
Jane Bortnick Griffith
Penelope Hall
Karen Hanmer
Nancy Leavitt
Yi Bin Liang
Elaine Nishizu
Graham Patten & Sarah Smith
Todd Pattison
Jennifer Pellecchia
James Reid-Cunningham
George Sargent
Patricia Sargent
Jackie Scott
Julie B. Stackpole
Colin Urbina
Gerritt VanDerwerker
Robert Walp
Joelle Webber
Stephanie Wolff
Pamela Wood
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Robert Walp

August 04, 2020
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Chestertown, New York
Member for 14 years

Les Festival des Murmures, Dylan Willoughby
A variety of mould and handmade papers, Asahi book cloth.
22.5 x 15.5 x 1.8 cm
Completed in 2018
For Sale - $350

Did you fully plan every aspect of this piece before starting to work on it, or did you make design decisions along the way?
I usually start with a pretty complete mockup of my books. I use Affinity Publisher to create a digital copy including text and illustrations. As planning progresses I'll choose paper and binding materials, then print an inkjet copy using the chosen materials. Last I set type, make printing plates or woodcuts, and print the final copies. As I print I stay open to changes in the plan and will incorporate them if I can. 

Robert Walp printed his first book around 2001. A few years later he found himself at The University of Alabama where he earned an MFA in Book Arts. He has taught workshops at Penland and PBI, and occasionally teaches in his studio in the Adirondacks in New York State. See more of Robert’s work here.

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