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New England Guild of Book Workers

New England Chapter - 40th Anniversary Exhibition
  • Introduction
  • Gallery
  • Juror's Remarks
  • Events
  • Interviews
  • Contact
Featured
Eric Alstrom
Jeffrey Altepeter
Richard Baker
Barbara B. Blumenthal
Valerie Carrigan
Katrina Carye
Sam Ellenport
Mark Esser
Erin Fletcher
Jane Bortnick Griffith
Penelope Hall
Karen Hanmer
Nancy Leavitt
Yi Bin Liang
Elaine Nishizu
Graham Patten & Sarah Smith
Todd Pattison
Jennifer Pellecchia
James Reid-Cunningham
George Sargent
Patricia Sargent
Jackie Scott
Julie B. Stackpole
Colin Urbina
Gerritt VanDerwerker
Robert Walp
Joelle Webber
Stephanie Wolff
Pamela Wood
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Erin Fletcher

September 22, 2020

Belmont, Massachusetts
Member for 10 years

Stuart Williams: His World and His Art, William Corbett with an essay by Adrienne Jacobson
Hand-painted fair calfskin, hand-dyed fair goatskin in grey, yellow and dark blue, handmade Katie MacGregor orange paper, embroidery floss, light blue Stonehenge paper, matte grey foil, handmade periwinkle paper from Morgan Conservatory
27.5 x 25.5 x 2.1 cm
Completed in 2020

What is your favorite thing about this binding?
I love the playfulness of the design, which was greatly inspired by the work of Stuart Williams. Celebrated within the text, Williams was an artist from Vermont living with Prader-Willi disease whose art is not widely known. Williams drew what he loved about the world around him. Living on a farm in a rural town, meant that he captured the spirit of both human and animal behavior. 

I was so enchanted by his chaotic drawings, which are layered with ill-proportioned plant life and creatures; all saturated by color applied with uneven marker strokes. Williams' work inspired me to work freely and open up the possibilities of my embroidered leather bindings. And so the thing I love most about this binding are the hundreds of hand-stitched paper "sequins". 

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Erin Fletcher runs Herringbone Bindery from her studio in Belmont, Massachusetts, offering unique handcrafted bindings and boxes. She also teaches workshops for North Bennet Street School in Boston and other institutions around the country. Her design binding work has been exhibited worldwide and is held in various private and institutional collections such as The University of Virginia, Grolier Club, and the Boston Athenaeum. See more of Erin’s work here.

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